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By general consensus, Pablo Picasso is the most brilliant and influential artist of this century. Despite this supreme position in the history of art, he has nonetheless eluded and frustrated critics. Getting an intimate sense of the character of Picasso appears almost impossible; his macho posture and his incomparable range of styles seem designed to keep everyone who is interested in him at a distance. Who better than another legendary artist, Norman Mailer, to enter inside so enigmatic and protean a mind?

In Portrait of Picasso as a Young Man, Mailer sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition. Commenting upon much of the critical work on Picasso that has appeared over the years, Mailer's biography brings us closer to the young artist than we have ever been before. Much at the heart of Mailer's interpretation in Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years--a period that included Picasso's most revolutionary works, from the explosive innovations of Les Demoiselles d'Avignon to the mysteries of Cubism itself. To understand Picasso in these years, Mailer argues, it is necessary to follow his relationship with the extraordinary Fernande, who is here given her own voice by way of excerpts from her candid memoirs, hitherto unpublished in English. Since this period also includes Picasso's friendships with Apollinaire and Gertrude Stein, the book evokes the charm and special character of bohemian life in Paris in the early 1900s.

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言語

英語
出版社

Knopf Canada
発売日

1995/10/3
ISBN-10

0394281306
ISBN-13

978-0394281308
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著者について

Norman Mailer has received two Pulitzer Prizes and a National Book Award. His last book was Oswald's Tale. Portrait of Picasso as a Young Man is his twenty-ninth book. He lives in Provincetown, Massachusetts.

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出版社 ‏ : ‎ Knopf Canada (1995/10/3)
発売日 ‏ : ‎ 1995/10/3
言語 ‏ : ‎ 英語
ISBN-10 ‏ : ‎ 0394281306
ISBN-13 ‏ : ‎ 978-0394281308

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Excellent writing

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An insightful and engrossing book on Picasso. Uses a lot of research and fantastic source material which form the bones of the story but Mailer takes this material and brings it to life unlike so much dry academic writing on Picasso. Really enjoyed this. Very insightful!

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Martin F. Syrett

Five Stars

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Great book if your interested I picasso or mailer,nice clean copy

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Richard B Mclean

Insightful view of the great artist by a great writer

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Insightful, bold, well supported and researched conclusions. Beautifully written and illustrated. Very interesting extracts from Picasso's first love Fernande Oliver. Compelling linking of Picasso's life and his work.

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JT

Insightful

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Norman Mailer books always have an interesting twist. Although a lot of the content is from other books.

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Mac McAleer

An interpretative biography

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This is an absorbing treatment of the early years of Picasso from his early life, through the Blue and Rose Periods and including the start of Cubism. I took a while to get used to the style of writing (1), but it was worth the effort. This is a book to read and re-read. However, if you are looking for a straightforward account of Picasso’s formative years, this is not the place to start.

Being in the market for a book on the early life of Picasso, I took punt on this book. I was intrigued by the thought of Normal Mailer writing a biography of the early, bohemian years of Picasso, and I could always follow it with a more scholarly biography. I was not disappointed, but I also wondered how it compares to a more straightforward account of the same period. Reading the book required more work than I expected, particularly as the quotes from the sources were long and numerous. On the other hand, some of these quotes are not easily available or are available only in French. The subtitle of this book is “An interpretative biography”. In the Preface Mailer explains this term. He makes no claim to original scholarship but he does lay claim to personal interpretation and he happily quotes his sources (2), mostly other biographies, before presenting his interpretation. He claims that there "... was a real purpose in quoting other authors at greater length than is customary." I expected this book to be dominated by text, but the illustrations are extensive, although the proportion of black and white to colour is higher than I would have liked. I suspect Mailer has chosen some illustrations not easily found elsewhere, particularly the small number of sexually honest drawings.

Interestingly, Mailer asks “What would have happened if Picasso had died at the end of 1907 having completed “Les Demoiselles d’Avignon”? He answers: “Picasso would now be a collector’s niche. His earlier work would be recognised and valued. He would have been the painter whose last crazy work suggested artistic derangement just before his unfortunate early death.”

THE PARTS: The text is divided in 11 parts, each part consisting of several chapters. These parts are:
I “I, the King” (Picasso’s early life and academic training in painting and his first excursion to Paris;
II “Paris” (Picasso moves back and forth between Barcelona and Paris. Depressed, he starts the Picasso’s Blue Period);
III “Fernande” (Picasso meets his first great love and moves into the Montmartre building nicknamed the Bateau Lavoir);
IV “Pablo and Fernande” (the bohemian life continued);
V “Apollinaire” (Picasso’s friend the poet Guillaume Apollinaire and Picasso’s Rose Period);
VI “Gertrude Stein” (Picasso meets the rich American patron of the arts) ;
VII “The Brothel” (he paints Les Demoisselles d’Avignon, based on a Barcelona brothel, a painting that will lead to cubism);
VIII “The Suicide and the Banquet” (An artist commits suicide at the Bateau Lavoir and his body is found by Picasso. A banquet is given in honour of Henri Rosseau, a self-taught painter much admired by Picasso);
IX “Cubism” (With Braque, Picasso moves into Cubism and financial stability. He leaves the Bateau Lavoir);
X “The Mona Lisa” (The theft of the Mona Lisa from the Louvre causes a sensation. Picasso is an associate of some of the suspects);
XI “The Decorator”.

THE BOOK is quite heavy to pick up. It has 370 pages followed by 15 pages of Notes, a 4-page Bibliography, a 9-page Photo Credits and a 2-page Acknowledgments. Unfortunately, there is no Index. The Notes are all single line references to the source in the Bibliography. The book is highly illustrated in black and white, but there are also 48 full-page glossy colour plates of paintings.
________________________________________________________________________________________________________________
(1) The Cambridge Guide to Literature in English describes Mailer's non -fiction as "loquacious foregrounding its author as a quizzical protagonist and always alive to the mythic possibilities of its subject."
(2) At the start of the book, before the Preface, Mailer names his more important sources, whose books can be referenced in the Bibliography. He lists Fernande Olivier, Josep Paulau i Fabre, John Richardson, Francis Steegmuller, Roger Shattack and Arianna Stassinopoulus Huffington. Fernande Olivier lived with Picasso for seven years. She wrote two books about him, Picasso et ses amis and Souvenirs intimes: Écrits pour Picasso . Sovenirs Intimes was written when she was in her seventies, half a century from the events and is not considered reliable, but this has not stopped Mailer from quoting large extracts from it. He dedicates one chapter almost exclusively to it. Josep Paulau i Fabre wrote Picasso, 1881-1907: Life and Work of the Early Years . John Richardson wrote a multi-volume life of Picasso. The first volume is listed in the Bibliography, A Life of Picasso 1881-1906 , but not the second volume, A Life of Picasso: 1907-17: Painter of Modern Life v. 2 . The second volume was published after this book. Francis Steegmuller wrote Apollinaire, Poet Among the Painters . Roger Shattack wrote The Banquet Years: The Origins of the Avant Garde in France, 1885 to World War 1 . Arianna Stassinopoulus Huffington wrote Picasso: Creator and Destroyer . Mailer seems to both like and dislike her book.
(3) Other sources used by Mailer and included in the Bibliography include Roy MacGregor-Hastie Picasso's Women , Roland Penrose Picasso: His Life and Work , Pierre Cabanne “Pablo Picasso: His Life and Times”, Daniel-Henry Kahnwiler “My Galleries and My Painters”, André Malraux “Picasso’s Mask”, Patrick O’Brien “Pablo Ruiz Picasso”, André Salmon “Souvenirs sans fin” and Gertrude Stein “The Autobiography of Alice B. Toklas”

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