なんとこのcasidy逮捕されてしまいました!!!(T0T)
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I'm a Hustla (Clean)
仕様 | 価格 | 新品 | 中古品 |
CD, DualDisc, インポート, 2005/6/28
"もう一度試してください。" | インポート, DualDisc |
—
| ¥14,600 | ¥1 |
CD, コンテンツ/コピー防止CD, インポート, 2005/6/28
"もう一度試してください。" | コンテンツ/コピー防止CD, インポート |
—
| — | ¥1 |
CD, インポート, 2005/7/26
"もう一度試してください。" | インポート |
—
| — | ¥150 |
CD, インポート, 2005/6/28
"もう一度試してください。" | インポート |
—
| — | — |
この商品を買った人はこんな商品も買っています
ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
1 | The Problem vs. The Hustla |
2 | I'm A Hustla |
3 | On The Grind |
4 | Crack |
5 | B–Boy Stance |
6 | A.M. To P.M. |
7 | Can't Fade Me |
8 | Kick It Wit You |
9 | C–Bonics |
10 | Bellybutton |
11 | Get 'Em |
12 | So Long |
13 | 6 Minutes |
14 | The Message |
15 | I'm A Hustla – Remix |
商品の説明
With a #2 debut on the top 200 album chart with his Split Personality release, Cassidy has definitely broken through as an artist to be reckoned with. Having created familiarity at multiple radio formats on his #1 hit 'Hotel', this single garnered Cassidy two source awards nominations (lyricist of the year & best r&b/ hip hop collaboration). Now, Cassidy returns with a vengeance, releasing his new album I'm a Hustla, and bursting onto the scene with the single of the same name. CLEAN VERSION. J Records. 2005.
他の国からのトップレビュー

Michael Payne
5つ星のうち5.0
Good hop hop vebs
2021年7月26日に英国でレビュー済みAmazonで購入
Love this one

PrinceNikodeem
5つ星のうち4.0
Philly's Contender for Hova's Crown
2012年10月19日にアメリカ合衆国でレビュー済みAmazonで購入
Ah, the auspicious days of the early-to-mid-millenium, when hip hop was finally starting to show some signs of life again, twitching and stirring just a little bit as it awakened from the crap-induced coma inflicted upon it by the anti-lyricists of Percy Miller's No Limit clique and the scores of barbarous, hooting imitators who grunted and howled onto the airwaves in their wake. It was around this time that a new crop of promising young MCs emerged, focused at least as much on lyricism as on chart success, each with the ambition to take Jay-Z's spot as both the number one lyricist and the most profitable act in hip hop. A lot of names were bandied about at the time, and everyone had their own top contender for Jay's throne, but some of the names on just about everyone's short list were Fabolous, T.I., Lil' Wayne, Juelz Santana, and Illadelph's own Cassidy.
Having established himself as a lyrical beast with 2003's mixtape release "Nothing But the Freestyles", Cassidy aimed squarely for the mainstream with 2004's "Split Personality" and knocked it out of the park on his first try. The album went gold (selling more than 118,000 copies in its first week alone!) and spawned the massive single "Hotel" (featuring R. Kelly). Nevertheless, more than a few of Cassidy's street fans complained that their hero had "sold out" or compromised his art to go pop. Cassidy's answer was 2005's "I'm a Hustla", which succeeds on several levels in marrying underground credibility to mainstream viability. I first heard the title track and lead single, built around a Jay-Z sample and a bangin' Swizz Beats bassline, in the parking lot of a 7-Eleven after driving home from work. As tired as I was after a long, hard day in the salt mines, the track reinvigorated me even more than the Slim Jims and cold bottle of iced frappuccino I had picked up and had me nodding my head to the beat. It was obvious from the first note that it was going to be a monster hit.
"I'm a Hustla" the album opens with Cassidy addressing his fans' concerns with "The Problem vs. The Hustla" on which the Cassidy of the mixtapes and the street (The Problem) takes on the Cassidy striving for mainstream success (The Hustla) in a no-holds-barred freestyle battle. Both "Cassidys" spit fire, but at the end of the day, the Hustla emerges victorious, in a way consuming his former self and demonstrating to all concerned that like Jay-Z before him, he can stay true to the streets (and to the craft of the MC) while simultaneously hustling for the money and fame in a mainstream milieu. As The Hustla revels in his victory the song then segues smoothly and naturally into the above mentioned title track. Cassidy then indulges his street fans with two hardcore tracks, "On the Grind" and "Crack", in which he compares his music hustle to his street hustle and the addictiveness of his lyrics to hitting the glass. The lion's share of the tracks on the album stay true to this dynamic, such as "A.M. to the P.M.", which is basically a warning to all competitors that despite Cassidy's fame, he can still reach out and touch them with the heat and "spray 'em when he sees 'em" if the occassion calls for it and "Get 'Em" on which Cas spits that he's "wifed his knife and married his gat". Based on the rapper's later court cases, these tracks lyrics were more than just talk.
In addition to these street bangers, "I'm a Hustla" also has its share of club songs. The album's second single, "B-Boy Stance", for example, showcases more of Cassidy's trademark hardcore lyrics, but the track (once again supplied by mentor Swizz Beats) is obviously aimed directly at the dancefloor. The same is also true of "C-Bonics" with its familiar "Do my ladies run this motherf***er?" chorus chanted by its producer, the ubiquitous Swizzle and the "I'm a Hustla" remix featuring the Queen of Hip Hop Soul, Ms. Mary J. Blige. "Kick It Wit You" (featuring singer Mario) and "So Long" (featuring singer Mashonda and the Wu-Tang Clan's own Raekwon) are clearly intended for the ladies, as is "Bellybutton", a track on which Cassidy declares his fetish for the flesh of the feminine midriff and encourages his female fans to put their tantalizing, ticklish, and toned tummies on display.
"Can't Fade Me" is one of the weaker tracks on the album, despite the fact that it features the legendary Nas and his protege Quan. Unfortunately, it also features a flaccid, vaguely West Coast-ish DJ Scratch produced beat and a horrible, sing-songy chorus that sounds like it was intended for, and rejected, by The Game or 50 Cent. Other than the aforementioned remix of the title track, the album ends on a positive note with "The Message", an uplifiting song featuring, in addition to a thoughtful rap from Cassidy, an inspired spoken word piece by an uncredited individual who identifies himself as "Dr. Ben" (although it's obviously not Dr. Yosef Ben Jochannan) which extolls the virtues of the Million Man March and calls for a ten million man reprise on the tenth anniversary of the same event.
Almost a decade after the fact, we know how the race for Jigga's throne turned out. The old man himself is (surprisingly) still hanging around to "watch" it (assisted by his prissy sidekick Kanye the Boy Wonder); Lil' Wayne is still Hov's closest competitor building up an enormous empire of his own while T.I. is becoming more of a movie and reality star than anything else; Juelz is nowhere to be heard from while Fabolous still pops up on someone else's remix here or there, and Cassidy, after facing down muder charges, car wrecks, and comas, hasn't dropped an album since 2010 and has returned to the mixtape market. Nevertheless, none of this changes the fact that "I'm a Hustla" is a solid album, an exemplar of the early new millenium hustler/thug dynamic, and that once upon a time a fresh-faced kid named Cassidy nearly captured the crown and brought it back to Philly.
Having established himself as a lyrical beast with 2003's mixtape release "Nothing But the Freestyles", Cassidy aimed squarely for the mainstream with 2004's "Split Personality" and knocked it out of the park on his first try. The album went gold (selling more than 118,000 copies in its first week alone!) and spawned the massive single "Hotel" (featuring R. Kelly). Nevertheless, more than a few of Cassidy's street fans complained that their hero had "sold out" or compromised his art to go pop. Cassidy's answer was 2005's "I'm a Hustla", which succeeds on several levels in marrying underground credibility to mainstream viability. I first heard the title track and lead single, built around a Jay-Z sample and a bangin' Swizz Beats bassline, in the parking lot of a 7-Eleven after driving home from work. As tired as I was after a long, hard day in the salt mines, the track reinvigorated me even more than the Slim Jims and cold bottle of iced frappuccino I had picked up and had me nodding my head to the beat. It was obvious from the first note that it was going to be a monster hit.
"I'm a Hustla" the album opens with Cassidy addressing his fans' concerns with "The Problem vs. The Hustla" on which the Cassidy of the mixtapes and the street (The Problem) takes on the Cassidy striving for mainstream success (The Hustla) in a no-holds-barred freestyle battle. Both "Cassidys" spit fire, but at the end of the day, the Hustla emerges victorious, in a way consuming his former self and demonstrating to all concerned that like Jay-Z before him, he can stay true to the streets (and to the craft of the MC) while simultaneously hustling for the money and fame in a mainstream milieu. As The Hustla revels in his victory the song then segues smoothly and naturally into the above mentioned title track. Cassidy then indulges his street fans with two hardcore tracks, "On the Grind" and "Crack", in which he compares his music hustle to his street hustle and the addictiveness of his lyrics to hitting the glass. The lion's share of the tracks on the album stay true to this dynamic, such as "A.M. to the P.M.", which is basically a warning to all competitors that despite Cassidy's fame, he can still reach out and touch them with the heat and "spray 'em when he sees 'em" if the occassion calls for it and "Get 'Em" on which Cas spits that he's "wifed his knife and married his gat". Based on the rapper's later court cases, these tracks lyrics were more than just talk.
In addition to these street bangers, "I'm a Hustla" also has its share of club songs. The album's second single, "B-Boy Stance", for example, showcases more of Cassidy's trademark hardcore lyrics, but the track (once again supplied by mentor Swizz Beats) is obviously aimed directly at the dancefloor. The same is also true of "C-Bonics" with its familiar "Do my ladies run this motherf***er?" chorus chanted by its producer, the ubiquitous Swizzle and the "I'm a Hustla" remix featuring the Queen of Hip Hop Soul, Ms. Mary J. Blige. "Kick It Wit You" (featuring singer Mario) and "So Long" (featuring singer Mashonda and the Wu-Tang Clan's own Raekwon) are clearly intended for the ladies, as is "Bellybutton", a track on which Cassidy declares his fetish for the flesh of the feminine midriff and encourages his female fans to put their tantalizing, ticklish, and toned tummies on display.
"Can't Fade Me" is one of the weaker tracks on the album, despite the fact that it features the legendary Nas and his protege Quan. Unfortunately, it also features a flaccid, vaguely West Coast-ish DJ Scratch produced beat and a horrible, sing-songy chorus that sounds like it was intended for, and rejected, by The Game or 50 Cent. Other than the aforementioned remix of the title track, the album ends on a positive note with "The Message", an uplifiting song featuring, in addition to a thoughtful rap from Cassidy, an inspired spoken word piece by an uncredited individual who identifies himself as "Dr. Ben" (although it's obviously not Dr. Yosef Ben Jochannan) which extolls the virtues of the Million Man March and calls for a ten million man reprise on the tenth anniversary of the same event.
Almost a decade after the fact, we know how the race for Jigga's throne turned out. The old man himself is (surprisingly) still hanging around to "watch" it (assisted by his prissy sidekick Kanye the Boy Wonder); Lil' Wayne is still Hov's closest competitor building up an enormous empire of his own while T.I. is becoming more of a movie and reality star than anything else; Juelz is nowhere to be heard from while Fabolous still pops up on someone else's remix here or there, and Cassidy, after facing down muder charges, car wrecks, and comas, hasn't dropped an album since 2010 and has returned to the mixtape market. Nevertheless, none of this changes the fact that "I'm a Hustla" is a solid album, an exemplar of the early new millenium hustler/thug dynamic, and that once upon a time a fresh-faced kid named Cassidy nearly captured the crown and brought it back to Philly.

Keon Shere' McIntosh
5つ星のうち3.0
best cassidy track.
2015年6月15日にアメリカ合衆国でレビュー済みAmazonで購入
best track from cassidy. only track i can really listen to from him. really the beat and hook set the song off.