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弓 [DVD]
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購入オプションとあわせ買い
フォーマット | 色, ドルビー, ワイドスクリーン |
コントリビュータ | チョン・ソンファン, ハン・ヨルム, ソ・ジソク, キム・ギドク |
言語 | 日本語, 韓国語 |
稼働時間 | 1 時間 30 分 |
この商品をチェックした人はこんな商品もチェックしています
ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
登録情報
- アスペクト比 : 1.78:1
- メーカーにより製造中止になりました : いいえ
- 言語 : 日本語, 韓国語
- 梱包サイズ : 18.03 x 13.76 x 1.48 cm; 83.16 g
- EAN : 4907953020887
- 監督 : キム・ギドク
- メディア形式 : 色, ドルビー, ワイドスクリーン
- 時間 : 1 時間 30 分
- 発売日 : 2007/2/23
- 出演 : チョン・ソンファン, ハン・ヨルム, ソ・ジソク
- 字幕: : 日本語
- 言語 : 日本語 (Dolby Digital 2.0 Stereo), 韓国語 (Dolby Digital 5.1)
- 販売元 : ハピネット
- ASIN : B000M06I0O
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 132,111位DVD (DVDの売れ筋ランキングを見る)
- - 2,360位外国のラブロマンス映画
- - 12,814位外国のドラマ映画
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2019年11月21日に日本でレビュー済み
Amazonで購入
キムギドク監督作品を知らない人に「春夏秋冬」と、この「弓」を見ていただきたいですね。見方によっては、哲学的ですが、不思議な吸引力に引き込まれて見入ってしましました。あらすじとかネタバレの言葉では表現できません。見ないと伝わらない映像美でもあります。
2020年7月10日に日本でレビュー済み
Amazonで購入
よくぞここまで、男の身勝手な欲望を、余すことなくふんだんに、容赦なく真正面から描いた映画があっただろうか。いや、あるまいっ。
少女が情けをかけるような良いところが、じいさまに全くない!というところが逆に清々しい。ただただ情のみというこの潔さ。
じいさまが、とにかくひたすら気持ち悪いというところがいい。何故か心に染み入る…。そんな映画でした。
少女が情けをかけるような良いところが、じいさまに全くない!というところが逆に清々しい。ただただ情のみというこの潔さ。
じいさまが、とにかくひたすら気持ち悪いというところがいい。何故か心に染み入る…。そんな映画でした。
2021年8月8日に日本でレビュー済み
Amazonで購入
何を表現したい、訳わからない
2020年8月26日に日本でレビュー済み
Amazonで購入
人の日常生活の生々しい部分や、人間のエゴなどのあまり表に出したくないダークさが剥き出しになっているのにもかかわらず、とても美しい映画だった。
その世界観は、主人公の少女が具有する無垢さと魔性さが象徴だと感じた。
ラストがファンタジックだったので、老いることの切なさと愛情の残酷さがソフトに受け止めれた。
その世界観は、主人公の少女が具有する無垢さと魔性さが象徴だと感じた。
ラストがファンタジックだったので、老いることの切なさと愛情の残酷さがソフトに受け止めれた。
2008年1月18日に日本でレビュー済み
Amazonで購入
この監督の作品は好みが分かれるとレビューで読んでいたのでずっと迷っていたんですが、セリフがほとんどないのが幸いして(?)割とすんなり観られました。やはり初心者向きなのでしょうか?
感想は皆さん書き尽くしていて、いちいちごもっともで敢えて深くは書きませんが、老人の行動は滑稽で、これってコメディ? とさえ思ってしまいました。少女の青年に向ける笑顔と老人に向ける憎悪の顔が印象的。
特筆すべきは音楽。
カン・ウニルの心地よいヘグム(韓国二胡)の音色には聴き入りました。
韓国映画の音楽で感動したのは「ラブストーリー」「イルマーレ」以来。OSTが発売されていないのが悔やまれます。でもセリフがほぼないのでサントラの役割も果たせる?
音楽を聴くだけでも一見の価値はあるかも知れません。
今後ギドク作品を観るかどうか。
うーーーん 未定。
感想は皆さん書き尽くしていて、いちいちごもっともで敢えて深くは書きませんが、老人の行動は滑稽で、これってコメディ? とさえ思ってしまいました。少女の青年に向ける笑顔と老人に向ける憎悪の顔が印象的。
特筆すべきは音楽。
カン・ウニルの心地よいヘグム(韓国二胡)の音色には聴き入りました。
韓国映画の音楽で感動したのは「ラブストーリー」「イルマーレ」以来。OSTが発売されていないのが悔やまれます。でもセリフがほぼないのでサントラの役割も果たせる?
音楽を聴くだけでも一見の価値はあるかも知れません。
今後ギドク作品を観るかどうか。
うーーーん 未定。
2020年5月12日に日本でレビュー済み
Amazonで購入
ロリなじじいの監禁もの。
ラストはなんだこりゃ。
ラストはなんだこりゃ。
2021年7月18日に日本でレビュー済み
Amazonで購入
監督の性癖とか世界観が嫌すぎる。
他の国からのトップレビュー

Mr Blonde
5つ星のうち5.0
A beautiful film with an amazing score and performances
2013年7月3日に英国でレビュー済みAmazonで購入
This is a simple, beautiful, fairytale style film by the often controversial but always interesting Kim Ki-Duk. This particular film is not as exrtreme as any of his other work and would be on a par with 3-iron or Spring, Summer, Autumn, Winter...and Spring which means you could probs watch this with your Gran.
The two main characters don't speak a single word in the entire film. When most poor Hollywood movies have characters speaking loads of uninteresting exposistion because they don't trust the audience to be smart enough to follow along this is very refreshing. The tale is deceptively very simple but very deep and is about love and control.
Although the leads never speak the film is far from quiet thanks to an amazing score that is really beautiful. Set pretty much on a single location of an old boat it is amazing how much colour he brings into the film. There are loads of bright primary colours all over the place and the cinematography is top notch and absorbing creating a film that is both very real and very fairy tale like at the same time. The performances are great as well as every other aspect of the filmmaking.
It's not my favorite Kim Ki-Duk and it wouldn't even be in my top 3 of his but it's still a very interesting and captivating film. The reason for this is that it doesn't pack the punch of many of his other works, which although may be `extreme' are certainly unforgettable. In comparison to Kim Ki-Duks other films it would only be 4 out of 5 as it is not as bold or striking as his other works. However, although the story is simpler he still puts all his talent into what is a captivating and mesmerizing experience. Judging the film purely on its own merits it is a solid 5 out of 5 and highly recommended.
The two main characters don't speak a single word in the entire film. When most poor Hollywood movies have characters speaking loads of uninteresting exposistion because they don't trust the audience to be smart enough to follow along this is very refreshing. The tale is deceptively very simple but very deep and is about love and control.
Although the leads never speak the film is far from quiet thanks to an amazing score that is really beautiful. Set pretty much on a single location of an old boat it is amazing how much colour he brings into the film. There are loads of bright primary colours all over the place and the cinematography is top notch and absorbing creating a film that is both very real and very fairy tale like at the same time. The performances are great as well as every other aspect of the filmmaking.
It's not my favorite Kim Ki-Duk and it wouldn't even be in my top 3 of his but it's still a very interesting and captivating film. The reason for this is that it doesn't pack the punch of many of his other works, which although may be `extreme' are certainly unforgettable. In comparison to Kim Ki-Duks other films it would only be 4 out of 5 as it is not as bold or striking as his other works. However, although the story is simpler he still puts all his talent into what is a captivating and mesmerizing experience. Judging the film purely on its own merits it is a solid 5 out of 5 and highly recommended.

a jennings
5つ星のうち4.0
a breath of fresh air
2013年10月16日に英国でレビュー済みAmazonで購入
this is one of those rare films that seem to flow from the beginning to the end like a well read piece of poetry, a simple & elegant storyline from a seasoned director a film I am sure you will watch over & over again. I will definitely place this one in my top 25 of Asian films.

Amazon customer
5つ星のうち5.0
A masterpiece of World Cinema
2008年10月7日に英国でレビュー済みAmazonで購入
Kim Ki-Duk is a very prolific director, and sometimes falls short as a result of it, but this is a perfectly realised fable. It's not a film to be approached in any spirit of realism, except Magic Realism.
I won't go through the plot which is summarised elsewhere, but its simplicity allows for a kind of poetry of composition and a wonderfully fluent deliberate pacing which is quite hypnotic. As mentioned elsewhere, there is very little dialogue, and the heroine's silence (and almost impossible beauty) gives her a kind of mystery and allure which resonates beyond the immediate.
I don't see the lack of dialogue as any kind of weakness. The two central characters have lived together on a tiny boat for ten years, they have gone beyond words, and so when the cracks appear with the appearance of Youth, Progress, "Civilisation", at the time they might need words, they can't find them. This fuels the tragedy.
Kim revisits themes and situations he had previously used in "The Isle" The Isle [2000 ], a more extremely violent movie, but there are arbitrary plot elements there and a kind of glib pessimism about the impossibility of love. Here love and growth are painful, but possible, and the final renunciation by the old man is - yes - magical, as Age gives way to Youth, as it surely must.
A beautifully crafted and coherent vision, made with the most economical of means, a handful of actors, a single location. The images will stay with you.
This went straight into my personal Top Ten Best Films ever, replacing Kurasawa's "Throne of Blood". Yes, it's that good.
I won't go through the plot which is summarised elsewhere, but its simplicity allows for a kind of poetry of composition and a wonderfully fluent deliberate pacing which is quite hypnotic. As mentioned elsewhere, there is very little dialogue, and the heroine's silence (and almost impossible beauty) gives her a kind of mystery and allure which resonates beyond the immediate.
I don't see the lack of dialogue as any kind of weakness. The two central characters have lived together on a tiny boat for ten years, they have gone beyond words, and so when the cracks appear with the appearance of Youth, Progress, "Civilisation", at the time they might need words, they can't find them. This fuels the tragedy.
Kim revisits themes and situations he had previously used in "The Isle" The Isle [2000 ], a more extremely violent movie, but there are arbitrary plot elements there and a kind of glib pessimism about the impossibility of love. Here love and growth are painful, but possible, and the final renunciation by the old man is - yes - magical, as Age gives way to Youth, as it surely must.
A beautifully crafted and coherent vision, made with the most economical of means, a handful of actors, a single location. The images will stay with you.
This went straight into my personal Top Ten Best Films ever, replacing Kurasawa's "Throne of Blood". Yes, it's that good.

gawayne
5つ星のうち4.0
Hits the Mark
2013年1月23日に英国でレビュー済みAmazonで購入
I must admit I like this film a lot. The directors habit (in most of his films) of using minimum dialogue is handled as well as ever in this film. I also enjoyed the girls expressions-she was adept at conveying emotions without using words. Not quite as good as "Spring, Summer, Autumn Winter" - but still beautifully directed.