Total Recall: The Deluxe Edition (1990 Film)
仕様 | 価格 | 新品 | 中古品 |
CD, オリジナルレコーディングのリマスター, サウンドトラック, 2000/12/5
"もう一度試してください。" | サウンドトラック, オリジナルレコーディングのリマスター |
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| — | ¥1,180 |
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曲目リスト
1 | The Dream |
2 | First Meeting |
3 | Secret Agent |
4 | The Implant |
5 | The Aftermath |
6 | For Old Times' Sake |
7 | Clever Girl |
8 | The Johnny Cab |
9 | Howdy Stranger |
10 | The Nose Job |
11 | The Space Station |
12 | A New Face |
13 | The Mountain |
14 | Identification |
15 | Lies |
16 | Where Am I? |
17 | Swallow It |
18 | The Big Jump |
19 | Without Air |
20 | Remembering |
21 | The Mutant |
22 | The Massacre |
23 | Friends |
24 | The Treatment |
25 | The Hollowgram |
26 | End Of A Dream |
27 | A New Life |
商品の説明
Amazonレビュー
Arnold Schwarzenegger action films are so superfluous that when cynics try to dismiss the subgenre, it's been all to easy to throw out the baby with the bath water, to dump a True Lies alongside a Raw Deal. But 1990's Mars-set Total Recall remains one of Ah-nold's best, a reality-bending adventure that not only anticipated The Matrix in key ways, but took action films to a new level of intensity, thanks largely to the direction of the ever-relentless Paul Verhoeven and a trend-setting score by sci-fi master Jerry Goldsmith (Planet of the Apes, Alien, Star Trek). This deluxe edition has nearly twice the music of the original, a virtual 70-minute action concerto of driving rhythms, bold brass, and subtly integrated electronic effects. Goldsmith's tense Recall formula would become one of the templates for action scores in the 1990s and beyond, and this set finally gives it a proper showcase. Also included is a richly illustrated liner booklet that details both the film and its dynamic music. --Jerry McCulley
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14 x 1.02 x 12.7 cm; 95.25 g
- メーカー : Varese Sarabande
- EAN : 0030206619720
- オリジナル盤発売日 : 2000
- レーベル : Varese Sarabande
- ASIN : B000053GUJ
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 578,437位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 24,855位サウンドトラック (ミュージック)
- - 194,593位輸入盤
- カスタマーレビュー:
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
流れている曲がどうしても聴きたくて購入しました。
はじめ、12曲収録されているサントラ(青色のジャケット)を購入したのですが、目的の曲が無くてがっかりしました。
このデラックス版には 12 A New Faceという曲名でしっかりと収録されています。
とにかくナショナルフィルハーモニックオーケストラの迫力ある演奏には、背筋の震えがとまらないくらい感動しました。
トータルリコールの曲を十分に楽しみたい方は、迷わずこれです。
他の国からのトップレビュー

Then, five years later Goldsmith composed "First Blood"
which was another dynamic though darker action score which also set the standard from the greatest composer of
action music the movies ever had and still ranks--along with "Capricorn One"---as one of his most popular scores.
So it should come as no surprise that eight years after that score the composer would surpass himself again for the final time with his enormously powerful and highly rhythmic music for the 1990 Schwarzenegger actioner "Total Recall." It is a dense and complex score
and Goldsmith himself quoted it as having more notes than
a Bruckner symphony. This music moves at a very fast pace
with some reflective moments in between but the main emphasis on this music is action.
The performance of the ever reliable National Philharmonic Orchestra is flawless and the composer's blending of orchestra with synths is pretty much perfect here as it was with his beautiful score for "Legend" only five years before. But here his music is ferocious as is a lot
of Goldsmith's best action writing. This is music of power and enjoyable every step of the way.
Apparently the composer came under some criticism because the opening bars of the title music resembled "Conan the Barbarian" but that was at the behest of Paul Verhoeven, the director so blame should be set at his door. Other than that minor quibble I would
say that "Total Recall" should be in every music lover's
library. Film music doesn't get much more powerful than this. A must have!!

Comme souvent de sa part, la musique qu'il dirige pour le film de Verhoeven colle parfaitement à l'ambiance du long métrage. Le score est plein d'énergie, plein d'action, exactement comme le film, qui se veut rapide et rythmé.
Il en résulte qu'apprécier ce score, en dépit de sa qualité, n'est pas un exercice facile. Goldsmith ne développe pas ici de thêmes mélodieux, plus ou moins romantique ou mystérieux, comme il a pu le faire sur Basic Instinct, ou The Edge (A couteaux Tirés).
La musique a avant tout été construite pour accompagner les péripéties d'un personnage qui saute, qui se bat, qui fait usage de sa force physique, qui survit à des poursuites : Le héros n'a donc pas une minute à lui, et le score de Goldsmith est du même accabit.
La partition s'ouvre par un excellent thême principal, qui rappelle celui de Conan le Barbare. Elle se poursuit par plusieurs morceaux calmes, "psychologiques". Ils sont fait pour caractériser la réalisation des implants de souvenirs dans le cerveau du héros. Morceaux aprés morceaux, les lieux de l'action du film, la base, la station de Mars, autant que ses régles de vies, ses loies, ses dangers, sont évoqués. Une tension, une sorte de "suspicion" est disseminée. L'on ressent enfin trés bien l'arrêt d'arrivée d'air à Venus City dans "Without air", et la souffrance de ceux qui y habitent. Peu aprés, le score se conclut par de longs et épiques morceaux d'action.
Si la musique est excellente, elle n'est pas d'accés facile, et ne s'offre pas de premier abord. Plusieurs écoutes seront donc necessaires pour pouvoir l'apprécier à sa juste valeur.

Les amateurs de Jerry Goldsmith vont se régaler !

Simply put, Track 1 is a classic and a great introduction to the movie. Total Recall had clout from the first frame. The chase cues in Track 7 'Clever Girl' are just brilliant and I've been humming them since I was 9.
The first release of this CD was back in 1990, but this version has twice as much music with better sound, a red cover instead of a blue one, and extensive liner notes. An all-round much better edition for music collectors or Goldsmith fans.
And stay around for a couple of minutes after track 27 ends. The 'Rekall' theme tune from the ad in the movie comes to life. Goldsmith composed this little jingle too and it completes a fine package.

I stole this from Wikipedia just to show my appreciation for him:
He composed scores for such noteworthy films as The Sand Pebbles, Planet of the Apes, Patton, Chinatown, The Wind and the Lion, The Omen, The Boys from Brazil, Alien, Poltergeist, Gremlins, Hoosiers, Total Recall, Basic Instinct, Rudy, Air Force One, L.A. Confidential, Mulan, The Mummy, three Rambo films, and five Star Trek films. He was nominated for six Grammy Awards, nine Golden Globes, four BAFTAs, and seventeen Academy Awards. In 1977 he was awarded an Oscar for The Omen.