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よく一緒に購入されている商品

対象商品: Plays Duke Ellington
¥1,649¥1,649
最短で3月31日 日曜日のお届け予定です
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ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
1 | It Don't Mean a Thing (If It Ain't Got That Swing) |
2 | Sophisticated Lady |
3 | I Got It Bad (And That Ain't Good) |
4 | Black and Tan Fantasy |
5 | Mood Indigo |
6 | I Let a Song Go Out of My Heart |
7 | Solitude |
8 | Caravan |
商品の説明
The 24-bit remastered Thelonious Monk PLAYS DUKE ELLINGTON includes the classics "It Don't Mean a Thing (If it Ain't Got That Swing)", "Mood Indigo", "I Got It Bad (and That Ain't Good)" and many more.
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.3 x 12.5 x 0.99 cm; 104.04 g
- メーカー : Riverside
- EAN : 0888072301283
- 商品モデル番号 : 2205908
- オリジナル盤発売日 : 2007
- SPARSコード : DDD
- レーベル : Riverside
- ASIN : B000NDEXQG
- 原産国 : アメリカ合衆国
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 101,614位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 23,042位輸入盤
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2015年7月10日に日本でレビュー済み
Amazonで購入
個性の強いMonkを売り出すために、まずはオリジナル曲ではなくEllingtonの曲を演奏させたCD。やはりスタンダード曲を演奏した“Unique Thelonious Monk”が好きなら、これも買いです。Monkが、もし作曲家としての才能がなかったとしても、ピアノ演奏家として名を残したであろうとよくわかるアルバムです。
2014年11月27日に日本でレビュー済み
村上春樹編・訳「セロニアス・モンクのいた風景」のオリン・キープニューズのところを読むと、キープニューズはprestige に108ドル28セント(!)を支払って自らのRiverside レーベルにモンクを迎えて、その初録音に周到な準備を行ったようだ。
もともと「モンクの業績を正しく評価し、ジャズの歴史における彼のポジションを正しく評価するためには、彼がモートンやエリントンから続くジャズの流れの、直系ともいうべき位置にあることを理解しなくてはならない」と考えていたキープニューズはモンクにエリントン曲集を録音することを薦める。
その結果がこのアルバムだ。(1955)
ベースにオスカー・ペティフォード、ドラムスにケニー・クラークを起用し、録音はR.V.ゲルダー。
一聴例のたどたどしく聞こえるピアノが響いてくるが、よく聴きこめば和声的にもリズム的にもユニークではあるが、独自のジャズ世界を作っていて、結局見事なエリントン曲集になっていることに気付くはずだ。
Sophisticated Lady や Black and Tan Fantasy(黒と褐色の幻想)における美しい演奏は比類ないし、ちゃんとスィングしている。(当たり前だ)
もともと「モンクの業績を正しく評価し、ジャズの歴史における彼のポジションを正しく評価するためには、彼がモートンやエリントンから続くジャズの流れの、直系ともいうべき位置にあることを理解しなくてはならない」と考えていたキープニューズはモンクにエリントン曲集を録音することを薦める。
その結果がこのアルバムだ。(1955)
ベースにオスカー・ペティフォード、ドラムスにケニー・クラークを起用し、録音はR.V.ゲルダー。
一聴例のたどたどしく聞こえるピアノが響いてくるが、よく聴きこめば和声的にもリズム的にもユニークではあるが、独自のジャズ世界を作っていて、結局見事なエリントン曲集になっていることに気付くはずだ。
Sophisticated Lady や Black and Tan Fantasy(黒と褐色の幻想)における美しい演奏は比類ないし、ちゃんとスィングしている。(当たり前だ)
2014年11月14日に日本でレビュー済み
好き嫌いが分かれるプレイヤーですが(わたしもあまり…)これは大好きです。捻くれ者も素直な感じです。ペティフォードとケニー・クラークで悪いはずがありません。1955年の録音。
他の国からのトップレビュー

Bruno Purger
5つ星のうち5.0
SANS COMMENTAIRES
2021年5月24日にフランスでレビュー済みAmazonで購入
SANS COMMENTAIRES

Wolfgang Müller
5つ星のうち5.0
Unverzichtbar
2019年5月20日にドイツでレビュー済みAmazonで購入
Monk - ein Kapitell fuer sich, aber genial

Disink
5つ星のうち5.0
Polarizing Riverside Debut is Due for a Reconsideration
2014年5月24日にアメリカ合衆国でレビュー済みAmazonで購入
From the time it was released until now, Monk's first album under Orrin Keepnews' care has been either thunderously defended as a legitimate tribute worthy of Monk's name or a sell out that sought to gain an audience at the expense of Monk's fire, a waste of Monk's talent chasing Keepnews' ideal of a Monk record that he could sell. So is it?
Absolutely not. Yes, the Ellington concept wasn't Monk's idea, but he agreed to this and the covers album that followed (both of whose songs he picked, although he learned the Ellington songs from sheet music) as a way to build an audience. Amazingly, it worked, and by the time of the first real Riverside Monk masterpiece, the immortal Brilliant Corners , people were getting into Monk.
Okay, but does the music work? Like crazy. First, note the presence of the amazing rhythm section, consisting of Oscar Pettiford and Kenny Clarke, two musicians sympathetic to both Monk AND Duke. Secondly, don't let the sheet music comments bother you, this is Ellingtonia in Monkland. NOTHING here sounds much like Ellington, save for the majestic tone that Monk retains, but rather like fragments of melody held up to a candle and lovingly laid down as a ride down the same road (Ellington's songs) in a very different car (Monk's playing). Right off the bat, "It Don't Mean a Thing" is toned WAY down, and the melody comes across almost in Morse code. This concept continues, though instead of setting the tunes on fire as he would have at Prestige, here Monk maintains an almost religious awe throughout, a sense of feeling that really drives "I Let a Song Go Out of My Heart" and the solo "Solitude". Really, every song comes across well, especially if you approach this album with a thorough knowledge of Duke's catalog. If you don't hear the differences, you may miss the point: this is Duke as a percussive pianist who liked his melodies played in rhythmic chunks (see especially: "Black and Tan Fantasy"). It works by allowing Monk to own the music, much as he does on the Unique Thelonious Monk . He even picks up steam bit on the last song, with Klook kicking up the drums on "Caravan" and spurring the trio to really let the album go out on a bang.
Ultimately, it shouldn't be seen as a commercial nod (even if it was a bit), but as a heartfelt tribute from one generation's genius to another. It's not as influential as most of the Riversides, but it deserves to stand tall in Monk's canon, an example of how he could take one artist's defining vision and somehow make it his own while still giving the artist respect. That sounds like something Ellington would approve of, and surely fans of both will be thrilled.
Absolutely not. Yes, the Ellington concept wasn't Monk's idea, but he agreed to this and the covers album that followed (both of whose songs he picked, although he learned the Ellington songs from sheet music) as a way to build an audience. Amazingly, it worked, and by the time of the first real Riverside Monk masterpiece, the immortal Brilliant Corners , people were getting into Monk.
Okay, but does the music work? Like crazy. First, note the presence of the amazing rhythm section, consisting of Oscar Pettiford and Kenny Clarke, two musicians sympathetic to both Monk AND Duke. Secondly, don't let the sheet music comments bother you, this is Ellingtonia in Monkland. NOTHING here sounds much like Ellington, save for the majestic tone that Monk retains, but rather like fragments of melody held up to a candle and lovingly laid down as a ride down the same road (Ellington's songs) in a very different car (Monk's playing). Right off the bat, "It Don't Mean a Thing" is toned WAY down, and the melody comes across almost in Morse code. This concept continues, though instead of setting the tunes on fire as he would have at Prestige, here Monk maintains an almost religious awe throughout, a sense of feeling that really drives "I Let a Song Go Out of My Heart" and the solo "Solitude". Really, every song comes across well, especially if you approach this album with a thorough knowledge of Duke's catalog. If you don't hear the differences, you may miss the point: this is Duke as a percussive pianist who liked his melodies played in rhythmic chunks (see especially: "Black and Tan Fantasy"). It works by allowing Monk to own the music, much as he does on the Unique Thelonious Monk . He even picks up steam bit on the last song, with Klook kicking up the drums on "Caravan" and spurring the trio to really let the album go out on a bang.
Ultimately, it shouldn't be seen as a commercial nod (even if it was a bit), but as a heartfelt tribute from one generation's genius to another. It's not as influential as most of the Riversides, but it deserves to stand tall in Monk's canon, an example of how he could take one artist's defining vision and somehow make it his own while still giving the artist respect. That sounds like something Ellington would approve of, and surely fans of both will be thrilled.

Jazzrook
5つ星のうち5.0
Thelonious Monk's exhilarating RIVERSIDE debut in 1955.
2015年8月4日に英国でレビュー済みAmazonで購入
The great pianist/composer Thelonious Monk(1917-82) recorded this debut for RIVERSIDE in Hackensack, New Jersey on July 21 & 27, 1955 with Oscar Pettiford(bass) & Kenny Clarke(drums).
Monk must have sounded way out to many jazz fans in 1955 so producer, Orrin Keepnews thought that an album of Duke Ellington compositions would make him more accessible.
The eight tracks are given inventive but respectful interpretations by Monk's superb trio and highlights include 'Black and Tan Fantasy' and the exciting version of 'Caravan'.
'Thelonious Monk plays Duke Ellington' is an enjoyable and exhilarating album which should appeal to most enthusiasts of piano trio jazz.
Btw ~ This album together with 'The Unique Thelonious Monk' is available on ESSENTIAL JAZZ CLASSICS EJC 55652.
Monk must have sounded way out to many jazz fans in 1955 so producer, Orrin Keepnews thought that an album of Duke Ellington compositions would make him more accessible.
The eight tracks are given inventive but respectful interpretations by Monk's superb trio and highlights include 'Black and Tan Fantasy' and the exciting version of 'Caravan'.
'Thelonious Monk plays Duke Ellington' is an enjoyable and exhilarating album which should appeal to most enthusiasts of piano trio jazz.
Btw ~ This album together with 'The Unique Thelonious Monk' is available on ESSENTIAL JAZZ CLASSICS EJC 55652.

alessia
5つ星のうち5.0
Plays Duke Ellington
2014年3月5日にイタリアでレビュー済みAmazonで購入
il disco " Plays Duke Ellington" è arrivato puntuale ed in ottimo stato, ben confezionato.
è un bel disco, pagato poco. lo consiglio
è un bel disco, pagato poco. lo consiglio