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4.8 5つ星のうち4.8 54個の評価
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  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 14.2 x 12.6 x 1.02 cm; 90.72 g
  • メーカー ‏ : ‎ Masterworks
  • EAN ‏ : ‎ 0886979245129
  • 製造元リファレンス ‏ : ‎ AManPro-0044503
  • レーベル ‏ : ‎ Masterworks
  • ASIN ‏ : ‎ B00501JHRQ
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.8 5つ星のうち4.8 54個の評価

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星5つ中4.8つ
5つのうち4.8つ
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カデレオ
5つ星のうち5.0 繊細で、上品に、力強く！！！
2011年6月28日に日本でレビュー済み
Amazonで購入
マシュー・ヴォーン監督『X-MEN：ファースト・ジェネレーション』のサントラ。
スコアのみの全２０曲。
作曲は、監督の前作『キック・アス』に引き続きヘンリー・ジャックマンが担当！
（※ジャケット柄ちがいの英国盤と米国盤の２種類ありますが、中身は同じです）

よ〜く聴くと『キック・アス』のときの音楽に似ているところもなくはないですが、
そんなことを忘れてしまうぐらい、
１曲目から「目が離せない」じゃなくて「耳が離せない」状態でガンガン聴かせてくれます。
ときに力強く、ときに優しげに。

テテン、テテン、テテン、テテン、というメインの旋律があって、
それがさまざまに変調しながら、最後の曲“MAGNITO”で完結に至る、と。
そういう粋な構成になっています。
サントラはチャールズじゃなくて完全にエリック＝マグニートー主体です！

※挿入歌はこのＣＤには未収録です。
　Edith Piaf “La Vie En Rose”（ケビン・ベーコン演じるセバスチャン・ショウ登場シーン）
　Frankie Cannon “Palisades Park”（女性捜査官がクラブに潜入したときに流れていた曲）
　Gnarls Barkley “ Run”（チャールズとエリックが若手をスカウトする連続場面で流れる曲）
　Chan Romero “Hippy Hippy Shake”（若手が互いに自己紹介しながら合コン？ するシーン）
　Booker T and the MGs “Green Onions ”（チャールズ邸で各々が自主練するシーン）
　Take That “Love Love”（エンドクレジットの後半の曲）

最後にテイク・ザットの曲が流れて「ああ、監督はやっぱり英国出身なのだな」と思いました。
アメリカ映画だけど、イギリスの匂いがする。不満はありません。むしろカッコよかったです。
　
44人のお客様がこれが役に立ったと考えています
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toms
5つ星のうち5.0 とてもよかった
2016年1月24日に日本でレビュー済み
Amazonで購入
大好きなエックスメンのサントラ　毎日聞いています。　最高です。。
1人のお客様がこれが役に立ったと考えています
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平九郎
5つ星のうち5.0 オススメです！
2014年6月21日に日本でレビュー済み
Amazonで購入
購入してから何年経ったでしょうか。
でも今でも当たり前のようにしょっちゅう聴いてます。
「ｘ（エックス）トレーニング」は気合いを入れるため（？）に出勤の時に車の中でよく聴いてます。
気分盛り上がっていいです♪
3人のお客様がこれが役に立ったと考えています
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Maria P. Muñoz Casanellas
5つ星のうち5.0 Love this score.
2015年8月10日にフランスでレビュー済み
Amazonで購入
The package arrived in estimate date. Item received perfectly as described. New in mint condition. A recomended seller and soundtrack.
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fel al
5つ星のうち4.0 Great
2012年3月13日にカナダでレビュー済み
Amazonで購入
I loved the movie and I love the soundtrack. A bit repetitive as most of the tracks have a recurring theme based off the main title or Magneto's theme, but the die hard fan will not care. Arrived well packaged with care not to crack the case.
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Kaya Savas
5つ星のうち5.0 One Of The Best Summer Scores Of The Year
2011年9月19日にアメリカ合衆国でレビュー済み
Amazonで購入
The X-Men franchise along with maybe Mission Impossible has probably been the most inconsistent franchise musically speaking. Every other franchise whether they're able to keep the same composer all the way through (Pirates Of The Caribbean/The Pink Panther) or not (Harry Potter/James Bond) is usually able to find a unified voice and every composer who jumps on board tends to stay in the style of that franchise. For X-Men we started with Michael Kamen and from then on saw John Ottman, John Powell, Harry Gregson-Williams and now Henry Jackman. Each of those brilliant composers did their own thing with no regard to what the previous composer did before them. The end result is each film feels disconnected. I'm happy to say that Henry Jackman does indeed provide this scattered franchise with its best score yet and what ended up being a damn great score overall.

Jackman has just started getting his solo career underway with such films like Monsters Vs. Aliens and Gulliver's Travels. He's also done some collaborative work with Hans Zimmer on a few of Zimmer's scores and worked with Hans for the score to Henri IV. Jackman was also part of the musical effort of Kick-Ass where his collaboration with director Matthew Vaughn began. For X-Men: First Class the music takes a very different stylistic approach than anything we've heard. While I would call this an orchestral score it definitely has plenty of electronics and hard electric guitar. Some people may compare the score to Inception as it borrows a few of Hans' elements here and there. The heart and soul of the score though is Jackman's unique voice and much of it reminded me of Kick-Ass. I think the big thing that Henry brought to the table here is an emotional wallop. I was surprised at how big the score was and how much of the characters' inner struggles were reflected within the music. Towards the final act of the film my eyes were watering in the theatre because the music became so overwhelming that it took hold of me. The X-Men have never really had a theme (not talking about the TV show), and while Jackman has one here it's not a superhero theme that maybe we all are accustomed to. This is a good thing because we are meeting these characters before they become "heroes". This lets us connect to them on a human level and become emotionally invested in their struggles. Magneto is the main focus of the film and it's his inner struggle that gets the bulk of the story so the music plays heavily on his character. The final act of the score is an intense, stunning and grand experience. Jackman meshes his central theme with the darker Magneto theme to great effect. That central motif comes into full fruition and we are left with a quiet and touching conclusion in the track "Mutant And Proud".

Henry Jackman knocks it out of the park with this score and lays the strongest musical foundation down that this franchise has ever seen. Not only is it an intense summer action score but a brilliantly structured and executed score, period. With the CD release finally hitting the states we can now enjoy what is without a doubt Henry Jackman's best work to date. I really hope Fox keeps Vaughn as director and that will allow Henry to come back and build off his magnificent effort here.
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Benjamin Jones
5つ星のうち5.0 One of the Best I've Ever Owned!
2012年1月24日にアメリカ合衆国でレビュー済み
Amazonで購入
I collect soundtracks, and believe it or not, this is actually one of my favorite of all time. Henry Jackman jumped to the top of my list. The tracks on this album have an incredible mix of intensity, excitement, even inspiration. There is definitely a common theme running through many of the songs, but when the theme is as powerful and electric as it is, I prefer it to be included in many of the tracks. Unlike many soundtracks, most of these songs continue to build as the song progresses and then when it hits the climax, it stays there, whereas many will hit the climax and then almost immediately regress to a slower portion or end the song. My favorite songs are "First Class," which is a fantastic example of what I just described, "Sub Lift," which somehow is nearly overwhelmingly awe-inspiring to me, and "Magneto" which is a simple, but rock-solid hardcore 'theme' to work with. I was as surprised as anyone at how taken I was with the sound in this movie, but I can't say enough great things about it, especially in comparison to many disappointing scores I've ordered recently.
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JMM
5つ星のうち5.0 "X-Men: First Class" Score - 5 Stars
2013年4月25日にアメリカ合衆国でレビュー済み
Amazonで購入
This is an album full of memorable themes and powerful percussive action. I think it is a great album and would recommend it to anyone who enjoys film music. I have always enjoyed the music for the X-Men films, but I think this is my favorite score of the franchise. Composer Henry Jackman really did a nice job and provided a quality score to accompany a quality film.

The album is bookended quite nicely with two of the best tracks - I think that the first track, "First Class", and the last one, "Magneto", are two of the best themes I've heard recently in any superhero movie.

FAVORITE TRACKS:
[1] First Class
[11] X-Training
[20] Magneto
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