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GODS OF EGYPT

5つ星のうち4.4 33
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新品 中古品
CD, CD, インポート, 2016/3/18 CD, サウンドトラック
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— ￥1,280
CD, サウンドトラック, 2016/8/24 サウンドトラック
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— ￥1,777
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  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 14.2 x 12.4 x 1.19 cm; 89.87 g
  • メーカー ‏ : ‎ VARES
  • EAN ‏ : ‎ 0030206740189
  • 商品モデル番号 ‏ : ‎ 3020674018
  • オリジナル盤発売日 ‏ : ‎ 2016
  • レーベル ‏ : ‎ VARES
  • ASIN ‏ : ‎ B01BLJOJMS
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    5つ星のうち4.4 33

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星5つ中4.4つ
5つのうち4.4つ
33グローバルレーティング

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Cliente de Amazon
5つ星のうち4.0 Una gran sorpresa
2017年4月18日にメキシコでレビュー済み
Amazonで購入
Una composición rica y muy sólida de Marco Beltami. Refleja la itensidad y riqueza visual de la historia con un temas principales muy sólidos y una serie de motivos musicales muy intreresantes.
1人のお客様がこれが役に立ったと考えています
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Amazon Customer
5つ星のうち5.0 Five Stars
2016年12月25日に英国でレビュー済み
Amazonで購入
Brilliant
レポート
Gaetan Fortin
5つ星のうち1.0 One Star
2016年4月16日にカナダでレビュー済み
Amazonで購入
thought it was a video .. but this music is half decent ...
レポート
Danny
5つ星のうち5.0 Character inspired music and thematic material make this a great score to enjoy
2016年3月19日にアメリカ合衆国でレビュー済み
Amazonで購入
Movies based in and around Egypt and it's mythology have always been fascinating to me. Not only do I love the stories (if they are cleverly done), but I've also enjoyed the scores. One of my personal favorites was David Arnold's "Stargate" score from 1994. There is a particular sound to this land and it's secrets that audiences have come to expect, and it's up to Marco Beltrami to unlock the tonality and instrumentation that will musically support our vision of the ancient place. I think he has done quite well and I would describe this score as a musical portrait of an adventurous and epic Egyptian fairytale.

The score is rich with familiar Egyptian motifs and is stylized in such a way that one cannot help but to visualize the mighty Egyptians from the ancient world. "Coronation" (track 4) expresses this perfectly with it's large sound, brass, and percussion. The next track, "All Quiet on Set" (5), introduces the story's antagonist and successfully supports the god of darkness like a low villainous growl. It's interesting to note that Beltrami has a few interesting play on words with some of his cue titles like this one, "All Quiet on Set" and "Snakes on a Plain" (14).

There is action music galore throughout the score but it's important to note that Beltrami successfully maintains the mythical sound of Egypt throughout. This is something that I enjoyed about Arnold's "Stargate" score as well. Instead of just piling on the jittery, jolting, and nonsensical action smashes, Beltrami never disregards the musical landscape that has been established. He expertly incorporates these themes/styles within all the cues making them more enjoyable to listen to and certainly appreciate on their own. "Bek Steals the Eye" (8) is a great piece in that it contains several movements as the character works his way through the challenges to accomplish the goal. Scenes like this so desperately depend on effective music to amp up tension and the anticipation of success. Each moment in the music becomes a story clue supporting onscreen action, as well as, revealing character like a musical soliloquy. Beltrami also gives us glimpses into the magical mythos of the Egyptian gods with pieces like "Osiris's Garden" (13) and "Toth's Library" (15) where both cues become characteristically fitting to the gods of the afterlife and of knowledge.

"Channeling Zaya" (17) is a very dramatic, spiritual, and even frightening cue where Beltrami uses vocal and chorus effects nicely. His technique with the chorus on this piece and others like "Set Confronts Ra" (20) do a great job at decorating the score with that element of mysticism and fantasy that really makes the soundtrack fun and enjoyable to listen to. If the Egyptian gods were to ever go to war with each other, they would definitely have Beltrami's "Obelisk Fight" music playing in the background. Broken into two parts, tracks 23 and 24, the cues are full of musical thematics and goodies to keep the epic battle interesting and worthy of stand alone enjoyment for the listener. The last three tracks of the score are the real jewels of the work however. "God of the Impossible" (24), "Bek and Zaya's Theme" (25), and "Hathor's Theme" (26) contain the best elements found throughout the score and are thankfully given enough time to fully develop. It's almost like these last three pieces are bonus tracks and play out more like suites than movie cues. I haven't seen the film yet so I'll have to wait and see how they play out but they are, at least in my opinion, the highlights of this release.

The score is released through Varese Sarabande records. There are 26 tracks which gives you a running time of about 1 hour and 15 minutes (kudos to Varese Sarabande for releasing a good amount of music from this score!). There is an 8 page CD insert which contains photos from the film and production credits. The film itself looks outrageous...but fun and I am looking forward to eventually seeing it. Until then, I'll just enjoy this score from Beltrami. I recommend!
8人のお客様がこれが役に立ったと考えています
 レポート
finet christian
5つ星のうち5.0 très bon .
2016年6月6日にフランスでレビュー済み
Amazonで購入
très belle composition de marco beltrami pour un bon petit film très plaisant et plein d'actions.
.à écouter et apprécier.
1人のお客様がこれが役に立ったと考えています
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