リドリー・スコット監督『オデッセイ』のサントラ。挿入歌&スコアの2枚組デラックス版。通常サイズのCDケースに2枚はいっています。
スコアは『キングダム・オブ・ヘブン』、『エクソダス:神と王』追加作曲担当のハリー・グレッグソン・ウィリアムズ。
ウィリアムズによる解説文つきです。ルクレティウスの『事物の本性について』にインスパイアされながら作曲したとのこと。
1枚目は、1枚のみの通常盤
Songs from the Martian
と全く同じ内容です。挿入歌8曲+ハリー・グレッグソン・ウィリアムズによるスコア組曲1曲を収録しています。
2枚目に、組曲以外のウィリアムズのスコア17曲を収録。
2枚で計26曲、合計1時間25分。
挿入歌は、デヴィッド・ボウイの”Starman”2012年リマスターバージョン、オージェイズの”Love Train”、グローリア・ゲイナーの”I Will Survive”などなど。すべて既成曲。有名な曲、どこかで聴いたことがあるはずの曲。ノリノリ。リドリー・スコット作品でここまで挿入歌が積極的に鳴るのは『アメリカン・ギャングスター』以来、あるいはむしろ初めてと言っていいかもしれません。明るい、肯定的な歌曲がズラリと並んでいます。
いっぽうウィリアムズのスコアのほうは、静かに、ゆっくりと聴かせてくれます。ところどころヴァンゲリスを思わせるところもあります。
通常版とデラックス版。値段次第。映画を見たらきっと欲しくなる歌曲が揃っているので、挿入歌が欲しい人は通常版でもいいかもしれません。スコアも1曲ついてきます。ですが、デラックス版のみの2枚目も聴きごたえがあります!
(”SONGS FROM”と印刷されたラベルのほうにスコアが、”SCORE”と書かれたほうのCDにSONGSが収録されていました。製造元がラベル印刷を取り違えたのだと思います。中身自体に問題ないのですが)
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The Martian: Song and Score
この商品を買った人はこんな商品も買っています
ページ 1 以下のうち 1 最初から観るページ 1 以下のうち 1
曲目リスト
ディスク: 1
1 | Turn the Beat Around – Vickie Sue Robinson |
2 | Hot Stuff – Donna Summer |
3 | Rock the Boat – Hues Corporation |
4 | Don't Leave Me This Way – Thelma Houston |
5 | Starman – David Bowie |
6 | Waterloo - Abba |
7 | Love Train – The O’Jays |
8 | I Will Survive – Gloria Gaynor |
9 | The Martian Score Suite – Harry Gregson - Williams |
ディスク: 2
1 | Mars |
2 | Emergency Launch |
3 | Making Water |
4 | Spotting Movement |
5 | Science the S*** Out of This |
6 | Messages from Hermes |
7 | Sprouting Potatoes |
8 | Watney's Alive! |
9 | Pathfinder |
10 | Hexadecimals |
11 | Crossing Mars |
12 | Reap & Sow |
13 | Crops Are Dead |
14 | WorkThe Problem |
15 | Leaving Mars |
16 | Build a Bomb |
17 | Fly Like Iron Man |
登録情報
- メーカーにより製造中止になりました : いいえ
- 製品サイズ : 14.22 x 12.6 x 0.99 cm; 99.79 g
- メーカー : Columbia
- EAN : 0888751671027
- オリジナル盤発売日 : 2015
- レーベル : Columbia
- ASIN : B01604Z00O
- 原産国 : オランダ
- ディスク枚数 : 2
- Amazon 売れ筋ランキング: - 20,589位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 996位サウンドトラック (ミュージック)
- - 3,269位ロック (ミュージック)
- - 3,772位輸入盤
- カスタマーレビュー:
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Emmanuel L. Piñera
5つ星のうち5.0
Excelente Soundtrack
2019年11月19日にメキシコでレビュー済みAmazonで購入
Una excelente compilación del Soundtrack de la pelicula The Martian (Misión rescate en México), incluye 2 discos, el primero con los temas Disco que suenan a lo largo de la película con la notable presencia de Starman y I Will Survive, adicional de 2 temas que suenan en el fondo durante la mayor parte de la película.
El segundo disco contiene parte por parte el soundtrack base de la película, perfecto como música ambiente para meditar o relajarse.
*Excelente compilación de éxitos de los 70s
*Buena presentación
El segundo disco contiene parte por parte el soundtrack base de la película, perfecto como música ambiente para meditar o relajarse.
*Excelente compilación de éxitos de los 70s
*Buena presentación

rassilon
5つ星のうち5.0
Deluxe Edition indeed!!!!!!
2018年8月31日に英国でレビュー済みAmazonで購入
What a great release! You get disc 1 which is all the incindental music(so so peaceful to listen to, even when you,re driving!!), plus some damn good 70s pop songs on disc 2!!

Gian Paolo
5つ星のうち5.0
Magnifico
2018年4月3日にイタリアでレビュー済みAmazonで購入
Un bellissimo doppio c’è che fa rivivere anche solo attraverso la musica gli scenari e le vicende narrate del film che ritengo tra i migliori in assoluto.
Assolutamente soddisfatto
Assolutamente soddisfatto

Gary D Clark
5つ星のうち5.0
An excellent OST
2022年10月29日にオーストラリアでレビュー済みAmazonで購入
Excellent Sound track. Includes the songs used in the movie and the score. If you love soundtracks then this is one you can't miss.

Danny
5つ星のうち5.0
This one has been on repeat for a few days now! Great score!
2015年11月10日にアメリカ合衆国でレビュー済みAmazonで購入
What kind of score do you give a character who is stuck on Mars...alone, and little chance of survival? This one. I read that some say that it rips off Zimmer's "Interstellar" score while others complain about it sounding typically "spacey". Well, the film does take place on a distant world and I certainly wouldn't want it to sound like a Saturday morning cartoon. That's kind of like saying that a western score sounds typically "western". Granted, there are those avant garde scores out there that might take a period piece with vikings battling it out to heavy metal guitars and techno beats, but generally soundtracks tend to musically capture the atmosphere in which they are set. I personally think that this one by Harry Gregson-Williams is spot on with this particular survival story set on the planet Mars.
I haven't seen the movie yet, and to be honest with you, I rarely see the movies before I hear the score. This is not by choice, because I would love to rush out and see these films first, but it just happens that I usually end up getting the scores for films before I actually see them. I have found that this has sometimes given me a unique perspective of the story before I actually go to see the visuals on the screen however. I've seen the movie trailers and I have a pretty good idea about the storyline, but if the score is good...it can tell the story just as well. This score does just that. It certainly isn't an action score and you won't find music that has a heroic character fighting off hordes of green little men. The music is more reflective and lonely. It's also has a beauty hidden underneath that occasionally appears in tracks like "Crossing Mars" (track 11). This particular piece has a slight hint of a futuristic pioneer crossing a vast empty desert. A keyboard producing a echoey guitar like sound starts the piece backed with electronic wind like ambience. A french horn begins to build the orchestra gradually into a mighty landscape sound as I imagine the camera pulls back to show the grand scope of the red planet. This is what I like. Music that produces visual images and tell a story on their own. The entire score is pretty reflective of what the character must be going through. It's very easy to listen to and I've had it on repeat all day at work. It isn't bombastic and mostly very soothing. It's great thinking music for sure!
I suppose what gives it a "spacey" sound is the composer's use of electronically produced music. He uses some very old 80's sounds in a few of the cues. Some of the sounds reminded me of early Patrick O'Hearn music (who's music I also love) and Jack Wall's "Mass Effect" score. Tracks 3 and 5 really have that "Mass Effect" vibe to them. I really liked track 7, "Sprouting Potatoes", with it's combination of cello, strings, and really fluid electronic sounds. "Hexadecimals", track 10, has a classic early keyboard/syth sound to it. I think the composer's choice to bring some of these sounds back is what might have people comparing this score so much with "Interstellar". Zimmer's score used an even older keyboard, the organ, and gave us a very entertaining and interesting "space" epic that is truly fascinating to listen to. That score, in my opinion, was very sharp, intense, and dynamic. I know it had some "floaty" space music too, but the organ definitely had the spotlight and really gave the sense of the grandness, immensity, and mystery of space. Harry Gregson-Williams uses electronic sounds with a more softer and subtle approach to capture a story of one man's attempt to survive on a distant planet. At times, the score has such a lonely and sad sound...almost as if someone wants to give up. Tracks like "Crops are Dead" (track 13) have choral voices lamenting a requiem like depression. It would be an awful movie if we just watched the main character give up however, and track 14, "Work the Problem" has a more upbeat tech thump to it as the protagonist works to push through the obstacles and survive. I think this is a fine score by Harry Gregson-Williams and it does a great job of telling the story through music. It has a "space" sound to it and I don't think it's fair to say that it rips off Hans Zimmer. This score is very easy to listen to and is most certainly enjoyable outside of the film itself.
This particular "Amazon Exclusive" release is really nice because you are getting two discs for a really good price. The first disc contains the songs from the film, which can be bought by itself if your not interested in the score, and the second disc appears to be the only place to get the musical score on CD. I prefer to own my music on CD and transfer it digitally myself. I see all the complaints from those who bought the digital versions and complain about the sound quality. Well...not an issue here. Nothing beats a good ole fashion CD in my opinion! These "Deluxe Edition" soundtracks must have been made popular by the success of "The Guardians of the Galaxy" release. The songs on disc one are pretty good and have some classic tunes from Vickie Sue Robinson (Turn the Beat Around) to Gloria Gaynor (I Will Survive). Disc one does contain "The Martian Score Suite" which captures some of the highlights from the entire score itself. There is an 8 page CD insert that contains track listings, production credits, a few landscape shots of Mars, and a back cover photo of Matt Damon in a scene from the the movie. There are two pages dedicated to "notes from the composer" where Harry Gregson-Williams explains his inspiration for the music of the film was largely based on the poem "On the Nature of Things" by Lucretius. The composer takes select tracks from the score and supports them with lines from the poem and in a sense uses these words for the foundation of his music. I guess where I listen to the music and see the story, the composer is reading the words of this poem...and hears the music. I've found this to be really enjoyable soundtrack and nicely priced for a CD version that contains 2 discs of music from the film. I recommend!
I haven't seen the movie yet, and to be honest with you, I rarely see the movies before I hear the score. This is not by choice, because I would love to rush out and see these films first, but it just happens that I usually end up getting the scores for films before I actually see them. I have found that this has sometimes given me a unique perspective of the story before I actually go to see the visuals on the screen however. I've seen the movie trailers and I have a pretty good idea about the storyline, but if the score is good...it can tell the story just as well. This score does just that. It certainly isn't an action score and you won't find music that has a heroic character fighting off hordes of green little men. The music is more reflective and lonely. It's also has a beauty hidden underneath that occasionally appears in tracks like "Crossing Mars" (track 11). This particular piece has a slight hint of a futuristic pioneer crossing a vast empty desert. A keyboard producing a echoey guitar like sound starts the piece backed with electronic wind like ambience. A french horn begins to build the orchestra gradually into a mighty landscape sound as I imagine the camera pulls back to show the grand scope of the red planet. This is what I like. Music that produces visual images and tell a story on their own. The entire score is pretty reflective of what the character must be going through. It's very easy to listen to and I've had it on repeat all day at work. It isn't bombastic and mostly very soothing. It's great thinking music for sure!
I suppose what gives it a "spacey" sound is the composer's use of electronically produced music. He uses some very old 80's sounds in a few of the cues. Some of the sounds reminded me of early Patrick O'Hearn music (who's music I also love) and Jack Wall's "Mass Effect" score. Tracks 3 and 5 really have that "Mass Effect" vibe to them. I really liked track 7, "Sprouting Potatoes", with it's combination of cello, strings, and really fluid electronic sounds. "Hexadecimals", track 10, has a classic early keyboard/syth sound to it. I think the composer's choice to bring some of these sounds back is what might have people comparing this score so much with "Interstellar". Zimmer's score used an even older keyboard, the organ, and gave us a very entertaining and interesting "space" epic that is truly fascinating to listen to. That score, in my opinion, was very sharp, intense, and dynamic. I know it had some "floaty" space music too, but the organ definitely had the spotlight and really gave the sense of the grandness, immensity, and mystery of space. Harry Gregson-Williams uses electronic sounds with a more softer and subtle approach to capture a story of one man's attempt to survive on a distant planet. At times, the score has such a lonely and sad sound...almost as if someone wants to give up. Tracks like "Crops are Dead" (track 13) have choral voices lamenting a requiem like depression. It would be an awful movie if we just watched the main character give up however, and track 14, "Work the Problem" has a more upbeat tech thump to it as the protagonist works to push through the obstacles and survive. I think this is a fine score by Harry Gregson-Williams and it does a great job of telling the story through music. It has a "space" sound to it and I don't think it's fair to say that it rips off Hans Zimmer. This score is very easy to listen to and is most certainly enjoyable outside of the film itself.
This particular "Amazon Exclusive" release is really nice because you are getting two discs for a really good price. The first disc contains the songs from the film, which can be bought by itself if your not interested in the score, and the second disc appears to be the only place to get the musical score on CD. I prefer to own my music on CD and transfer it digitally myself. I see all the complaints from those who bought the digital versions and complain about the sound quality. Well...not an issue here. Nothing beats a good ole fashion CD in my opinion! These "Deluxe Edition" soundtracks must have been made popular by the success of "The Guardians of the Galaxy" release. The songs on disc one are pretty good and have some classic tunes from Vickie Sue Robinson (Turn the Beat Around) to Gloria Gaynor (I Will Survive). Disc one does contain "The Martian Score Suite" which captures some of the highlights from the entire score itself. There is an 8 page CD insert that contains track listings, production credits, a few landscape shots of Mars, and a back cover photo of Matt Damon in a scene from the the movie. There are two pages dedicated to "notes from the composer" where Harry Gregson-Williams explains his inspiration for the music of the film was largely based on the poem "On the Nature of Things" by Lucretius. The composer takes select tracks from the score and supports them with lines from the poem and in a sense uses these words for the foundation of his music. I guess where I listen to the music and see the story, the composer is reading the words of this poem...and hears the music. I've found this to be really enjoyable soundtrack and nicely priced for a CD version that contains 2 discs of music from the film. I recommend!