可愛い主役に魅了されました
少し悲しくそこも引き込まれました
ラブリーボーン [Blu-ray]
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フォーマット | ドルビー, 色, ワイドスクリーン |
コントリビュータ | マーク・ウォールバーグ, スタンリー・トゥッチ, レイチェル・ワイズ, ジェームズ・ウィルソン, アリス・シーボルト, スーザン・サランドン, ケン・カミンズ, テッサ・ロス, ピーター・ジャクソン, スティーブン・スピルバーグ 表示を増やす |
言語 | 英語, 日本語 |
稼働時間 | 2 時間 15 分 |
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商品の説明
『ロード・オブ・ザ・リング』シリーズでアカデミー賞®ほか数々の映画賞を受賞したピーター・ジャクソン監督の感動作が、パラマウントより発売!
大切な人にもう一度会いたい──原作は世界中で1000万部突破のベストセラー、アリス・シーボルト著『ラブリー・ボーン』(ヴィレッジブックス刊)
圧倒的な映像美で綴る奇跡の感動ファンタジーに感涙する…
◆ストーリー
大好きな家族と楽しく幸せな毎日を送っていた14歳の少女スージー・サーモンは、ある冬の日殺されてしまう。
スージーがたどり着いたのは夢のように美しい天国。やり残したこと、大切な人たちへの想いを抱えながら、スージーは父親の犯人探しを助け、迫りくる危険から家族を守ろうと天国から地上を見守り続ける――。
※ジャケット写真、商品仕様、その他、予告なく変更となる場合がございますのでご了承ください。
登録情報
- アスペクト比 : 1.78:1
- 言語 : 英語, 日本語
- 製品サイズ : 25 x 2.2 x 18 cm; 81.65 g
- EAN : 4988113744676
- 監督 : ピーター・ジャクソン
- メディア形式 : ドルビー, 色, ワイドスクリーン
- 時間 : 2 時間 15 分
- 発売日 : 2012/1/13
- 出演 : マーク・ウォールバーグ, レイチェル・ワイズ, スーザン・サランドン, スタンリー・トゥッチ
- 字幕: : 日本語, 英語
- 言語 : 英語 (Dolby Digital 5.1), 日本語 (Dolby Digital 5.1)
- 販売元 : パラマウント ホーム エンタテインメント ジャパン
- ASIN : B005SZ080O
- 原産国 : 日本
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 32,378位DVD (DVDの売れ筋ランキングを見る)
- - 284位外国のファンタジー映画
- - 2,914位外国のドラマ映画
- - 3,375位ブルーレイ 外国映画
- カスタマーレビュー:
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2022年12月3日に日本でレビュー済み
Amazonで購入
スージーの愛らしさ、死の恐怖や苦しみ、死してなお家族を思う様子に、胸が締め付けられるようでした。
よく、殺された方が悪霊などになって復讐したり呪いをバラ撒いたりする映画がありますが、そりゃちがうよなぁ、と感じておりました。
この映画では、殺された女の子たちを怖く描いておらず、優しく気高く描いていて気に入りました。(犯人は決して許せませんが!)
最近まわりに、大切な人を亡くした方が多くいます。天国がこのような場所であると思えたら、少し気持ちが安らぐかもしれません。
ひとつだけ。
犯人の証拠を掴んだ妹よ。思わぬ母の帰りでも、喜ぶよりまず警察だろ。こういうの一気にヒキます。星マイナス。
よく、殺された方が悪霊などになって復讐したり呪いをバラ撒いたりする映画がありますが、そりゃちがうよなぁ、と感じておりました。
この映画では、殺された女の子たちを怖く描いておらず、優しく気高く描いていて気に入りました。(犯人は決して許せませんが!)
最近まわりに、大切な人を亡くした方が多くいます。天国がこのような場所であると思えたら、少し気持ちが安らぐかもしれません。
ひとつだけ。
犯人の証拠を掴んだ妹よ。思わぬ母の帰りでも、喜ぶよりまず警察だろ。こういうの一気にヒキます。星マイナス。
2023年3月29日に日本でレビュー済み
Amazonで購入
一言では言い表せないさまざまな感情が胸をよぎります。
主人公にはボーイフレンドと幸せになってほしかった。
主人公にはボーイフレンドと幸せになってほしかった。
2022年9月8日に日本でレビュー済み
Amazonで購入
シアーシャ主演、という事で手に取って観る。
物語自体はサスペンス的要素もファンタジー要素もあり、中盤くらいまでは結構ハラハラとしながら観賞。
やはり評価は、オチと言うかこういう結末に対してどう思うか、に左右されるか。
救いようのない話ではあるけど、そういうのをあえて救うとしたらこうなるのかしら?って感じなのかな。
エンタメにもホラーにもサスペンスにもファンタジーにも、どこかに振り切れてる感じがしない映画ではあった。
原作もそのうち読みたいです。
物語自体はサスペンス的要素もファンタジー要素もあり、中盤くらいまでは結構ハラハラとしながら観賞。
やはり評価は、オチと言うかこういう結末に対してどう思うか、に左右されるか。
救いようのない話ではあるけど、そういうのをあえて救うとしたらこうなるのかしら?って感じなのかな。
エンタメにもホラーにもサスペンスにもファンタジーにも、どこかに振り切れてる感じがしない映画ではあった。
原作もそのうち読みたいです。
2020年6月22日に日本でレビュー済み
Amazonで購入
I recognized what is living sincerely to my own feelings by watching this movie and the facial expressions of the actors.
I think the word "Bone" of the title means the presence of the deaths with our bodies.
We, especially Japanese, seem to find difficulty having the region, but the sense to believe something important and incredible incidents is essential to live with love.
Capitalism might be one of the religion in a sense and our way of thinking is influenced by the rationalism.
I want to live sincerely with the "Lovely Bone" in my mind
I think the word "Bone" of the title means the presence of the deaths with our bodies.
We, especially Japanese, seem to find difficulty having the region, but the sense to believe something important and incredible incidents is essential to live with love.
Capitalism might be one of the religion in a sense and our way of thinking is influenced by the rationalism.
I want to live sincerely with the "Lovely Bone" in my mind
2024年3月3日に日本でレビュー済み
後半にかけてまでは面白く観れましたが、ラスト数十分で駄作に変わりました。
直感的にリスク覚悟で妹が犯人の家に忍び込み証拠を見つけ警察に通報するまでは良かった。犯人はバレたと思い主人公の遺体の入った金庫と一緒に逃走。
霊の主人公はやり残したことがあるからまだ天国には行けないといい被害者連中とは行かず。
処理場の地中穴に犯人が金庫を投げ入れてる中、近くでみていた知り合いのカップルの女の人に乗り移る。
カップルの男の方とは生前好意を寄せていて、てっきりあの金庫に私が入ってるのって伝えるために女の人に乗り移るのかと普通は思うはずが、キスがしたいのと意味のわからないことをいいだす主人公。
呆気にとられて視聴しているとキスの最中見事犯人は地中穴にホールイン。
めでたく証拠隠滅、逃亡も成功の犯人。
最後はまた別の女の人を騙して犠牲者を出そうかというところで拒否されたあと崖から滑って死ぬという意味がわからない理解不能なラストでびっくり仰天、パニックです。酔ってシナリオ作ったんですかね、これがいいというひともわけわかんないです。
直感的にリスク覚悟で妹が犯人の家に忍び込み証拠を見つけ警察に通報するまでは良かった。犯人はバレたと思い主人公の遺体の入った金庫と一緒に逃走。
霊の主人公はやり残したことがあるからまだ天国には行けないといい被害者連中とは行かず。
処理場の地中穴に犯人が金庫を投げ入れてる中、近くでみていた知り合いのカップルの女の人に乗り移る。
カップルの男の方とは生前好意を寄せていて、てっきりあの金庫に私が入ってるのって伝えるために女の人に乗り移るのかと普通は思うはずが、キスがしたいのと意味のわからないことをいいだす主人公。
呆気にとられて視聴しているとキスの最中見事犯人は地中穴にホールイン。
めでたく証拠隠滅、逃亡も成功の犯人。
最後はまた別の女の人を騙して犠牲者を出そうかというところで拒否されたあと崖から滑って死ぬという意味がわからない理解不能なラストでびっくり仰天、パニックです。酔ってシナリオ作ったんですかね、これがいいというひともわけわかんないです。
2020年6月30日に日本でレビュー済み
Amazonで購入
14歳で殺害された少女の「あの世」からの独白には、正直、つくりものと知りながらも、心打たれる。
残された肉体である遺体の行方、犯罪解決より、魂の解決が大切で、魂の解決には、時間、そして被害者を愛してい
た人々の絆が必要であるとのメッセージも伝わり、傷ついた犯罪被害者の多くの家族が、もし観ることがあれば、
僅かながらも、癒しになるのでは。現実にもいつもそうですが、犯人への罪の報いは軽すぎる気もします。
被害少女の無垢な魂と同じく、死後の世界の映像はとても美しい。
残された肉体である遺体の行方、犯罪解決より、魂の解決が大切で、魂の解決には、時間、そして被害者を愛してい
た人々の絆が必要であるとのメッセージも伝わり、傷ついた犯罪被害者の多くの家族が、もし観ることがあれば、
僅かながらも、癒しになるのでは。現実にもいつもそうですが、犯人への罪の報いは軽すぎる気もします。
被害少女の無垢な魂と同じく、死後の世界の映像はとても美しい。
他の国からのトップレビュー

Really pleased with this product . Lights working perfectly 👌
5つ星のうち5.0
Lovely bones dvd
2024年2月29日にスペインでレビュー済みAmazonで購入
👍

Thomas Smith
5つ星のうち5.0
Unique and moving fllm for those who have lost a loved one in tragic circumstances
2012年1月21日に英国でレビュー済みAmazonで購入
Before reading the reviews I presumed this film would be depressing, a little creepy and maybe a shock value film praying on people's reactions to it. I avoided it. Time passed and then considering daring to view it (I knew it was about a topic personal to me that upsets me). Yet reading the so so reviews on Amazon of 'The Lovely Bones' I thought this film would be below par and continued to avoid. I finally took the plunge and watched the film without regret or any hesitation when viewing. On both counts, how wrong could I have been to be worried about this film if it was 'sick' or in bad taste. It simply isn't. It is a fantastic film and definitely one of the very best I own. It is a powerful piece of film production in every sense of the word.
Whilst watching, I cried most, if not all of the film. Yet I'm a grown man, quite hardened by life and not easily 'emotional'. Previous films I liked covering sudden loss were 'Untamed Heart' (featuring Christian Slater) and another favourite 'Message in a Bottle' (featuring Kevin Costner). I would recommend those films. Yet this one focuses on one area of the aforementioned and concentrates it significantly to the point the entire film becomes a continuous building tragedy or trauma - but as a reflection on the past. This may seem unpleasant or 'weird' but it's needed and it's what makes the film unique. Nothing is like this film that I have ever seen in that respect, nothing.
'The Lovely Bones' therefore had a profound reaction in my soul, it touched me deeply. It is the sort of quality film one could give to a friend or partner who might not understand your past (if you have one like the family of character 'Susie' in the film) and you will not have to explain to them why you weep when watching it as they will weep too. Especially if they are connected to you spiritually on a deep level. I think I will do this myself in the future now.
This movie could be (to some) an opportunity to be a voyeur into someone's emotional pain, in terms of understanding when people die young, why this is so unfair. Why there is a huge difference between a person living to only six or sixteen, rather than seventy six with children and grandchildren of their own. Why never experiencing a kiss, a first date, a first day at work, a first home, marriage, children, achievement...... why it is all matters so. This movie touches upon all those 'never had's' of the person now gone, yet it does so without bitterness and fury but instead a slow reasoning of 'that is life', because ultimately, it is 'just' life. We all are created, born, and then pass away yet we believe as children it will never happen to us directly, or our family. Instead we believe tragedy happens to ''other people'', as the movie itself says.
I cried through the film because my sister died in tragic circumstances, and every single nuance of the film brought back memories of this. Not memory of terror and fear, but just memories that I cannot describe. Maybe these are the ethereal supernatural energies this film touches upon. Whatever they are, they are indescribable. (Just as a dream/life/heaven state could/would be if one had to describe it).
During the film, the approach to death is heavily narrated and and in parts, played out, but not in the style of 'who done it', because we know from the very first few minutes who did it. Thankfully, there is no gore or suffering shown which was a relief. The director sensitively and sensibly leaves the 'act' of murder up to your imagination. Instead we are shown the subsequent loss and the regret of the consequences of when people die and leave us. The static family situation of post death, the denial, and finally the eventual moving on.
Perhaps people who don't understand this movie, maybe see it in the wrong context? I can understand that this is easily possible and why some just don't 'get it'.
The wrong context would be how some have described this movie as being about a child killer getting away with murder.
The right context would be this film is nothing to do with types of criminal or justice for victims of crime.
This film is more about memories of past and present of those who die and those who love them. It's about what we do with these memories, what they mean to us, how we hold onto them and how sometimes we shouldn't. Memories that you the viewer may create into simple or fantastic emotional feelings as you watch the film, whilst mesmerized by what you are watching. That, is surely the mark of good if not excellent film is it not? To be kept in your seat unable to turn away, to be concentrating, to be observing. To be....feeling.
In some ways, this film is a metaphorical 'key' to access tears, tears often compressed and rarely accessible due to the routines of life we all must take part in, to survive.
In this respect, people considering this film should be aware of that. It's not your average sad film, it's an unparalleled film (in my opinion) that may release significant grief.
Such is the power of this film, I would not recommend it as a family viewing experience even for a couple,or siblings who are very close. This film (again in my opinion) is one to be watched alone and to be appreciated alone IF you have experienced tragedy of a similar nature. In this setting, it can be appreciated without any concern of how people might think you are reacting, e.g. that you might become very tearful and emotional. For me personally I won't be watching this film with my parents. I may not even tell them I watched it because for some people loss is not a thing we should 'poke' out of it's hiding hole too frequently, especially if decades have passed. One should be mindful of this. Play with caution if a death in your family is to this day something you don't openly discuss because you haven't all closed the chapter on your loved one passing away. This may take a life time, or never happen at all. Either way it cannot be prematurely induced, even with a movie like this.
In conclusion this film leaves me with a sense of acceptance of when people leave you without saying goodbye, that is what I get from the film. Closure. Even if that closure is an illusion because of course, this is only a movie. Yet one that excels in spectacular visual imagery (special effects), narrative ('Susie's' voice over narrating the story) and realism of what tragedy is for those left behind to pick up the pieces and carry on.
In essence, this film is the epitome of emotion wrapped up in digital format that a book cannot create. I appreciate how exceptional books can be. Yet books don't have powerful music scores, books don't have audio narrative, and books don't have faces of great actors that make you know them, despite these people being 'just' actors. If they can act (as all of the actors do in this film so well) they make you part of their family for the time you are staring at the screen. They place you there, in their home.
Nowadays I rarely think of my own sister on a daily basis, as I have moved on and time in some respect, does heal. But she will always be there in my heart, just like the character 'Susie Salmon' is to her family in The Lovely Bones.
10/10 movie.
Flawless and highly recommended for the right audience.
Whilst watching, I cried most, if not all of the film. Yet I'm a grown man, quite hardened by life and not easily 'emotional'. Previous films I liked covering sudden loss were 'Untamed Heart' (featuring Christian Slater) and another favourite 'Message in a Bottle' (featuring Kevin Costner). I would recommend those films. Yet this one focuses on one area of the aforementioned and concentrates it significantly to the point the entire film becomes a continuous building tragedy or trauma - but as a reflection on the past. This may seem unpleasant or 'weird' but it's needed and it's what makes the film unique. Nothing is like this film that I have ever seen in that respect, nothing.
'The Lovely Bones' therefore had a profound reaction in my soul, it touched me deeply. It is the sort of quality film one could give to a friend or partner who might not understand your past (if you have one like the family of character 'Susie' in the film) and you will not have to explain to them why you weep when watching it as they will weep too. Especially if they are connected to you spiritually on a deep level. I think I will do this myself in the future now.
This movie could be (to some) an opportunity to be a voyeur into someone's emotional pain, in terms of understanding when people die young, why this is so unfair. Why there is a huge difference between a person living to only six or sixteen, rather than seventy six with children and grandchildren of their own. Why never experiencing a kiss, a first date, a first day at work, a first home, marriage, children, achievement...... why it is all matters so. This movie touches upon all those 'never had's' of the person now gone, yet it does so without bitterness and fury but instead a slow reasoning of 'that is life', because ultimately, it is 'just' life. We all are created, born, and then pass away yet we believe as children it will never happen to us directly, or our family. Instead we believe tragedy happens to ''other people'', as the movie itself says.
I cried through the film because my sister died in tragic circumstances, and every single nuance of the film brought back memories of this. Not memory of terror and fear, but just memories that I cannot describe. Maybe these are the ethereal supernatural energies this film touches upon. Whatever they are, they are indescribable. (Just as a dream/life/heaven state could/would be if one had to describe it).
During the film, the approach to death is heavily narrated and and in parts, played out, but not in the style of 'who done it', because we know from the very first few minutes who did it. Thankfully, there is no gore or suffering shown which was a relief. The director sensitively and sensibly leaves the 'act' of murder up to your imagination. Instead we are shown the subsequent loss and the regret of the consequences of when people die and leave us. The static family situation of post death, the denial, and finally the eventual moving on.
Perhaps people who don't understand this movie, maybe see it in the wrong context? I can understand that this is easily possible and why some just don't 'get it'.
The wrong context would be how some have described this movie as being about a child killer getting away with murder.
The right context would be this film is nothing to do with types of criminal or justice for victims of crime.
This film is more about memories of past and present of those who die and those who love them. It's about what we do with these memories, what they mean to us, how we hold onto them and how sometimes we shouldn't. Memories that you the viewer may create into simple or fantastic emotional feelings as you watch the film, whilst mesmerized by what you are watching. That, is surely the mark of good if not excellent film is it not? To be kept in your seat unable to turn away, to be concentrating, to be observing. To be....feeling.
In some ways, this film is a metaphorical 'key' to access tears, tears often compressed and rarely accessible due to the routines of life we all must take part in, to survive.
In this respect, people considering this film should be aware of that. It's not your average sad film, it's an unparalleled film (in my opinion) that may release significant grief.
Such is the power of this film, I would not recommend it as a family viewing experience even for a couple,or siblings who are very close. This film (again in my opinion) is one to be watched alone and to be appreciated alone IF you have experienced tragedy of a similar nature. In this setting, it can be appreciated without any concern of how people might think you are reacting, e.g. that you might become very tearful and emotional. For me personally I won't be watching this film with my parents. I may not even tell them I watched it because for some people loss is not a thing we should 'poke' out of it's hiding hole too frequently, especially if decades have passed. One should be mindful of this. Play with caution if a death in your family is to this day something you don't openly discuss because you haven't all closed the chapter on your loved one passing away. This may take a life time, or never happen at all. Either way it cannot be prematurely induced, even with a movie like this.
In conclusion this film leaves me with a sense of acceptance of when people leave you without saying goodbye, that is what I get from the film. Closure. Even if that closure is an illusion because of course, this is only a movie. Yet one that excels in spectacular visual imagery (special effects), narrative ('Susie's' voice over narrating the story) and realism of what tragedy is for those left behind to pick up the pieces and carry on.
In essence, this film is the epitome of emotion wrapped up in digital format that a book cannot create. I appreciate how exceptional books can be. Yet books don't have powerful music scores, books don't have audio narrative, and books don't have faces of great actors that make you know them, despite these people being 'just' actors. If they can act (as all of the actors do in this film so well) they make you part of their family for the time you are staring at the screen. They place you there, in their home.
Nowadays I rarely think of my own sister on a daily basis, as I have moved on and time in some respect, does heal. But she will always be there in my heart, just like the character 'Susie Salmon' is to her family in The Lovely Bones.
10/10 movie.
Flawless and highly recommended for the right audience.

Silvia Barrera Luna
5つ星のうち5.0
THE LOVELY BONES
2013年2月17日にスペインでレビュー済みAmazonで購入
Es una película bellísima, llena de amor, me gusta de que hable del espíritu y de un mundo mejor, yo lo creo así.

Blanca Miralles
5つ星のうち2.0
Nadal, és una pelicula regular
2022年3月11日にスペインでレビュー済みAmazonで購入
Un picó pobre, l'as actuacions de Raquel Weitz y s marido , mejor la actuacion de Saoirce Ronan